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Hayes, Carlton J. H., 1882-1964

"A Political and Social History of Modern Europe V.1."

The newer architecture was used for ecclesiastical and other
structures, reaching perhaps its highest expression in the vast
cathedral of St. Peter, which was erected at Rome in the sixteenth
century under the personal direction of great artists, among whom
Raphael and Michelangelo are numbered.
[Sidenote: In Italy]
The revival of Greek and Roman architecture, like humanism, had its
origin in Italy; and in the cities of the peninsula, under patronage of
wealthy princes and noble families, it attained its most general
acceptance. But, like humanism, it spread to other countries, which in
turn it deeply affected. The chronic wars, in which the petty Italian
states were engaged throughout the sixteenth century, were attended, as
we have seen, by perpetual foreign interference. But Italy, vanquished
in politics, became the victor in art. While her towns surrendered to
foreign armies, her architects and builders subdued Europe and brought
the Christian countries for a time under her artistic sway.


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