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Hayes, Carlton J. H., 1882-1964

"A Political and Social History of Modern Europe V.1."

Although he was, for a time, architect of St. Peter's
cathedral, and displayed some aptitude for sculpture and for the
scholarly study of archaeeology, it is as the greatest of modern
painters that he is now regarded. Raphael lived fortunately, always in
favor, and rich, and bearing himself like a prince.
[Sidenote: Titian]
Titian (c. 1477-1576) was the typical representative of the Venetian
school of painting which acquired great distinction in bright coloring.
Official painter for the city of Venice and patronized both by the
Emperor Charles V and by Philip II of Spain, he secured considerable
wealth and fame. He was not a man of universal genius like Leonardo da
Vinci or Michelangelo; his one great and supreme endowment was that of
oil painting. In harmony, light, and color, his work has never been
equaled. Titian's portrait of Philip II was sent to England and proved
a potent auxiliary in the suit of the Spanish king for the hand of Mary
Tudor. His celebrated picture of the Council of Trent was executed
after the aged artist's visit to the council about 1555.


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