It may well be that Florentines of past centuries left the hewn
blocks in their shady caverns for a certain length of time, as do the
Parisians of to-day, in order to allow for the slow discharge and
evaporation of liquid; whereas now the material, saturated with
moisture, is torn from its damp and cool quarries and set in the blazing
sunshine. At the Bourse, for instance,--quite a modern structure--the
columns already begin to show fissures. [7]
Amply content with Viareggio, because the Siren dwells so near, I stroll
forth. The town is awake. Hotels are open. Bathing is beginning. Summer
has dawned upon the land.
I am not in the city mood, three months in Florence having abated my
interest in humanity. Past a line of booths and pensions I wander in the
direction of that pinery which year by year is creeping further into the
waves, and driving the sea back from its old shore. There is peace in
this green domain; all is hushed, and yet pervaded by the mysterious
melody of things that stir in May-time. Here are no sombre patches, as
under oak or beech; only a tremulous interlacing of light and shade. A
peculiarly attractive bole not far from the sea, gleaming rosy in the
sunshine, tempts me to recline at its foot.
This insomnia, this fiend of the darkness--the only way to counteract
his mischief is by guile; by snatching a brief oblivion in the hours of
day, when the demon is far afield, tormenting pious Aethiopians at the
Antipodes. How well one rests at such moments of self-created night,
merged into the warm earth! The extreme quietude of my present room,
after Florentine street-noises, may have contributed to this
restlessness.
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