I
watch them growing up from year to year in many a village. I was
sketching at Primadengo, and a little girl of about three years
came up with her brother, a boy of perhaps eight. Before long the
smaller child began to set her cap at me, smiling, ogling, and
showing all her tricks like an accomplished little flirt. Her
brother said, "She always goes on like that to strangers." I said,
"What's her name?" "Forolinda." The name being new to me, I made
the boy write it, and here it is. He has forgotten to cross his F,
but the writing is wonderfully good for a boy of his age. The
child's name, doubtless, is Florinda.
More than once at Prato, and often elsewhere, people have wanted to
buy my sketches: if I had not required them for my own use I might
have sold a good many. I do not think my patrons intended giving
more than four or five francs a sketch, but a quick worker, who
could cover his three or four Fortuny panels a day, might pay his
expenses. It often happens that people who are doing well in
London or Paris are paying a visit to their native village, and
like to take back something to remind them of it in the winter.
From Prato, there are two ways to Faido, one past an old castle,
built to defend the northern entrance of the Monte Piottino, and so
over a small pass which will avoid the gorge; and the other, by
Dazio and the Monte Piottino gorge.
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