I always knew there was something beautiful, wonderful, sublime, in those
flowery dykes of Battersea Fields; in the long gravelly sweeps of that lone
tidal shore; and here was a man who had put them into words for me! This
is what I call democratic art--the revelation of the poetry which lies in
common things. And surely all the age is tending in that direction: in
Landseer and his dogs--in Fielding and his downs, with a host of noble
fellow-artists--and in all authors who have really seized the nation's
mind, from Crabbe and Burns and Wordsworth to Hood and Dickens, the great
tide sets ever onward, outward, towards that which is common to the many,
not that which is exclusive to the few--towards the likeness of Him who
causes His rain to fall on the just and the unjust, and His sun to shine on
the evil and the good; who knoweth the cattle upon a thousand hills, and
all the beasts of the field are in His sight.
Well--I must return to my story. And here some one may ask me, "But did
you not find this true spiritual democracy, this universal knowledge and
sympathy, in Shakspeare above all other poets?" It may be my shame to have
to confess it; but though I find it now, I did not then.
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