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James, Henry, 1843-1916

"The Ambassadors"

There would have been of course the case of
the Strether prepared, wherever presenting himself, only to judge
and to feel meanly; but HE would have moved for me, I confess,
enveloped in no legend whatever. The actual man's note, from the
first of our seeing it struck, is the note of discrimination, just
as his drama is to become, under stress, the drama of
discrimination. It would have been his blest imagination, we have
seen, that had already helped him to discriminate; the element
that was for so much of the pleasure of my cutting thick, as I
have intimated, into his intellectual, into his moral substance.
Yet here it was, at the same time, just here, that a shade for a
moment fell across the scene.
There was the dreadful little old tradition, one of the platitudes
of the human comedy, that people's moral scheme DOES break down in
Paris; that nothing is more frequently observed; that hundreds of
thousands of more or less hypocritical or more or less cynical
persons annually visit the place for the sake of the probable
catastrophe, and that I came late in the day to work myself up
about it. There was in fine the TRIVIAL association, one of the
vulgarest in the world; but which give me pause no longer, I
think, simply because its vulgarity is so advertised.


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