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James, Henry, 1843-1916

"The Ambassadors"

"The" thing was
the thing that implied the greatest number of other things of the
sort he had had to tackle; and it was queer of course, but so it
was--the implication here was complete. Not a single one of his
observations but somehow fell into a place in it; not a breath of
the cooler evening that wasn't somehow a syllable of the text.
The text was simply, when condensed, that in THESE places such
things were, and that if it was in them one elected to move about
one had to make one's account with what one lighted on. Meanwhile
at all events it was enough that they did affect one--so far as the
village aspect was concerned--as whiteness, crookedness and
blueness set in coppery green; there being positively, for that
matter, an outer wall of the White Horse that was painted the most
improbable shade. That was part of the amusement--as if to show
that the fun was harmless; just as it was enough, further, that the
picture and the play seemed supremely to melt together in the good
woman's broad sketch of what she could do for her visitor's
appetite. He felt in short a confidence, and it was general, and
it was all he wanted to feel. It suffered no shock even on her
mentioning that she had in fact just laid the cloth for two persons
who, unlike Monsieur, had arrived by the river--in a boat of their
own; who had asked her, half an hour before, what she could do for
them, and had then paddled away to look at something a little
further up--from which promenade they would presently return.


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