Newell's friends, who presented,
on the opposite side of the nave, every variety of individual
conviction in dress and conduct. Of the two groups the latter was
decidedly the more interesting to Garnett, who observed that it
comprised not only such recent acquisitions as the Woolsey Hubbards
and the Baron, but also sundry more important figures which of late
had faded to the verse of Mrs. Newell's horizon. Hermione's marriage
had drawn them back, bad once more made her mother a social entity,
had in short already accomplished the object for which it had been
planned and executed.
And as he looked about him Garnett saw that all the other actors in
the show faded into insignificance beside the dominant figure of
Mrs. Newell, became mere marionettes pulled hither and thither by
the hidden wires of her intention. One and all they were there to
serve her ends and accomplish her purpose: Schenkelderff and the
Hubbards to pay for the show, the bride and bridegroom to seal and
symbolize her social rehabilitation, Garnett himself as the humble
instrument adjusting the different parts of the complicated
machinery, and her husband, finally, as the last stake in her game,
the last asset on which she could draw to rebuild her fallen
fortunes.
Pages:
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133