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Wharton, Edith, 1862-1937

"The Hermit and the Wild Woman"

Wentworth, in fact, had always been the bond between the
two; they were united in their veneration for that estimable seat of
learning, and in their modest yet vivid consciousness of possessing
its tone. The Wentworth "tone" is unmistakable: it permeates every
part of the social economy, from the _coiffure_ of the ladies to the
preparation of the food. It has its sumptuary laws as well as its
curriculum of learning. It sits in judgment not only on its own
townsmen but on the rest of the world--enlightening, criticising,
ostracizing a heedless universe--and non-conformity to Wentworth
standards involves obliteration from Wentworth's consciousness.
In a world without traditions, without reverence, without stability,
such little expiring centres of prejudice and precedent make an
irresistible appeal to those instincts for which a democracy has
neglected to provide. Wentworth, with its "tone," its backward
references, its inflexible aversions and condemnations, its hard
moral outline preserved intact against a whirling background of
experiment, had been all the poetry and history of Margaret Ransom's
life.


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