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Wharton, Edith, 1862-1937

"The Hermit and the Wild Woman"

The poetry of Guy Dawnish's
situation lay in the fact that it was so completely a part of early
associations and accepted facts. Life was like that in England--in
Wentworth of course (where he had been sent, through his uncle's
influence, for two years' training in the neighbouring electrical
works at Smedden)--in Wentworth, though "immensely jolly," it was
different. The fact that he was qualifying to be an electrical
engineer--with the hope of a secretaryship at the London end of the
great Smedden Company--that, at best, he was returning home to a
life of industrial "grind," this fact, though avowedly a bore, did
not disconnect him from that brilliant pinnacled past, that
many-faceted life in which the brightest episodes of the whole body
of English fiction seemed collectively reflected. Of course he would
have to work--younger sons' sons almost always had to--but his uncle
Askern (like Wentworth) was "immensely jolly," and Guise always open
to him, and his other uncle, the Master, a capital old boy too--and
in town he could always put up with his clever aunt, Lady Caroline
Duckett, who had made a "beastly marriage" and was horribly poor,
but who knew everybody jolly and amusing, and had always been
particularly kind to him.


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