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Wharton, Edith, 1862-1937

"The Hermit and the Wild Woman"


"Well--what did you gain by kicking your widower out?" he objected.
"Why can't a man do two kinds of work--one to please himself and the
other to boil the pot?"
Caspar stopped in his jerky walk--the stride of a tall man attempted
with short legs (it sometimes appeared to Stanwell to symbolize his
artistic endeavour).
"Why can't a man--why can't he? You ask me that, Stanwell?" he
blazed out.
"Yes; and what's more, I'll answer you: it isn't everybody who can
adapt his art as he wants to!"
Caspar stood before him, gasping with incredulous scorn. "Adapt his
art? As he wants to? Unhappy wretch, what lingo are you talking? If
you mean that it isn't every honest man who can be a renegade--"
"That's just what I do mean: he can't unless he's clever enough to
see the other side."
The deep groan with which Caspar met this casuistry was cut short by
a knock at the studio door, which thereupon opened to admit a small
dapperly-dressed man with a silky moustache and mildly-bulging eyes.
"Ah, Mungold," exclaimed Stanwell, to cover the gloomy silence with
which Arran received the new-comer; whereat the latter, with the air
of a man who does not easily believe himself unwelcome, bestowed a
sympathetic pressure on the sculptor's hand.


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