And he took them in
his arms and carried them to his wife and said, Rejoice greatly, for thy
children whom I had slain by the commandment of the angel are alive, and
by their blood is Amis healed."
There, as I said, is the strength of the old French story. For the
Renaissance has not only the sweetness which it derives from the
classical world, but also that curious strength of which there are great
resources in the true middle age. And as I have illustrated the early
strength of the Renaissance by the story of Amis and Amile, a story
which comes from the North, in which even a certain racy Teutonic
flavour is perceptible, so I shall illustrate that other element of its
early sweetness, a languid excess of sweetness even, by another story
printed in the same volume of the Bibliotheque Elzevirienne, and of
about the same date, a story which comes, characteristically, from the
South, and connects itself with the literature of Provence.
The central love-poetry of Provence, the poetry of the Tenson and the
Aubade, of Bernard de Ventadour and Pierre Vidal, is poetry for the few,
for the elect and peculiar people of the kingdom of sentiment.
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