But it is certain that
at one period of his life he had almost ceased to be an artist.
The year 1483--the year of the birth of Raffaelle and the thirty-first
of Leonardo's life--is fixed as the date of his visit to Milan by the
letter in which he recommends himself to Ludovico Sforza, and offers to
tell him, for a price, strange secrets in the art of war. It was that
Sforza who murdered his young nephew by slow poison, yet was so
susceptible of religious impressions that he blended mere earthly
passions with a sort of religious sentimentalism, and who took for his
device the mulberry-tree--symbol, in its long delay and sudden yielding
of flowers and fruit together, of a wisdom which economises all forces
for an opportunity of sudden and sure effect. The fame of Leonardo had
gone before him, and he was to model a colossal statue of Francesco, the
first Duke of Milan. As for Leonardo himself, he came not as an artist
at all, or careful of the fame of one; but as a player on the harp, a
strange harp of silver of his own construction, shaped in some curious
likeness to a horse's skull.
Pages:
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156