The fancy of a perpetual life, sweeping together ten thousand
experiences, is an old one; and modern thought has conceived the idea of
humanity as wrought upon by, and summing up in itself, all modes of
thought and life. Certainly Lady Lisa might stand as the embodiment of
the old fancy, the symbol of the modern idea.
During these years at Florence Leonardo's history is the history of his
art; he himself is lost in the bright cloud of it. The outward history
begins again in 1502, with a wild journey through central Italy, which
he makes as the chief engineer of Caesar Borgia. The biographer, putting
together the stray jottings of his manuscripts, may follow him through
every day of it, up the strange tower of Siena, which looks towards
Rome, elastic like a bent bow, down to the seashore at Piombino, each
place appearing as fitfully as in a fever dream.
One other great work was left for him to do, a work all trace of which
soon vanished, The Battle of the Standard, in which he had Michelangelo
for his rival.
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