The citizens of Florence, desiring to decorate the walls
of the great council-chamber, had offered the work for competition, and
any subject might be chosen from the Florentine wars of the fifteenth
century. Michelangelo chose for his cartoon an incident of the war with
Pisa, in which the Florentine soldiers, bathing in the Arno, are
surprised by the sound of trumpets, and run to arms. His design has
reached us only in an old engraving, which perhaps helps us less than
what we remember of the background of his Holy Family in the Uffizii to
imagine in what superhuman form, such as might have beguiled the heart
of an earlier world, those figures may have risen from the water.
Leonardo chose an incident from the battle of Anghiari, in which two
parties of soldiers fight for a standard. Like Michelangelo's, his
cartoon is lost, and has come to us only in sketches, and in a fragment
of Rubens. Through the accounts given we may discern some lust of
terrible things in it, so that even the horses tore each other with
their teeth; and yet one fragment of it, in a drawing of his at
Florence, is far different--a waving field of lovely armour, the chased
edgings running like lines of sunlight from side to side.
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