But a true appreciation of these things is
possible only in the light of a whole system of such art-casuistries.
And it is in the criticism of painting that this truth most needs
enforcing, for it is in popular judgments on pictures that that false
generalisation of all art into forms of poetry is most prevalent. To
suppose that all is mere technical acquirement in delineation or touch,
working through and addressing itself to the intelligence, on the one
side, or a merely poetical, or what may be called literary interest,
addressed also to the pure intelligence, on the other;--this is the way
of most spectators, and of many critics, who have never caught sight,
all the time, of that true pictorial quality. which lies between (unique
pledge of the possession of the pictorial gift) the inventive or
creative handling of pure line and colour, which, as almost always in
Dutch painting, as often also in the works of Titian or Veronese, is
quite independent of anything definitely poetical in the subject it
accompanies.
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