and family, and a print of Old St. Paul's.
Pennant, speaking of Old Charing Cross, says "from a drawing communicated
to me by Dr. Combe, it was octagonal, and in the upper stage had eight
figures; but the Gothic parts were not rich." The above print differs from
this drawing, yet it was evidently intended to represent the same subject,
"Charing Cross" being engraved at the bottom.
The site of the cross is now occupied by the Equestrian Statue of Charles
I. in which the figure and symmetry of the horse are beautifully displayed.
Indeed, it is said to be the most finished piece of workmanship of the
kind ever produced: that of Marcus Aurelius, or the two horses on the
Monte Cavallo, or Quirino at Rome not excepted.
* * * * *
NOTES OF A READER.
* * * * *
ODD MISTAKE.
Judge Hall says, "I once travelled through Illinois when the waters were
high; and when I was told that _Little Mary_ would stop me, and that to
get by _Big Mary_ was impossible, I supposed them to be attractive damsels,
who, like beauteous Circe of old, amused themselves with playing _tricks
upon travellers_. But, lo! instead of blushing, blooming, and melodious
maids, I found torrents cold as ice, and boisterous as furies.
Pages:
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42