My hero and heroine were waiting for me there, and I saw that to be truly
modern, to be at once realistic and mystical, to have both delicacy and
strength, I must not let them get further acquainted with each other.
The affair must simply go on from day to day, till one morning Jan must
note that it was again the grandmother and no longer the girl who was
following his cart. She must be very weak from a long sickness--I was
not sure whether to have it the grippe or not, but I decided upon that
provisionally and she must totter after Janssen, so that he must get down
after a while to speak to her under pretence of arranging the tail-board
of his cart, or something of that kind; I did not care for the detail.
They should get into talk in the broken English which was the only
language they could have in common, and she should burst into tears, and
tell him that now Nina was sick; I imagined making this very simple, but
very touching, and I really made it so touching that it brought the lump
into my own throat, and I knew it would be effective with the reader.
Then I had Jan get back upon his cart, and drive stolidly on again, and
the old woman limp feebly after.
There should not be any more, I decided, except that one very cold
morning, like that; Jan should be driving through that street, and should
be passing the door of the tenement house where Nina had lived, just as a
little procession should be issuing from it.
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