It might be very interesting, and possibly it might be
amusing, for one stretched upon the beach or swaying in the hammock to
inquire into the reasons for his or her being so favored, and it is not
beyond the bounds of expectation that a consensus of summer opinion on
this subject would go far to enlighten the world upon a question that has
vexed the world ever since mankind was divided into those who work too
much and those who rest too much.
AESTHETIC NEW YORK FIFTY-ODD YEARS AGO
A study of New York civilization in 1849 has lately come into my hands,
with a mortifying effect, which I should like to share with the reader,
to my pride of modernity. I had somehow believed that after half a
century of material prosperity, such as the world has never seen before,
New York in 1902 must be very different from New York in 1849, but if I
am to trust either the impressions of the earlier student or my own, New
York is essentially the same now that it was then. The spirit of the
place has not changed; it is as it was, splendidly and sordidly
commercial. Even the body of it has undergone little or no alteration;
it was as shapeless, as incongruous; as ugly when the author of 'New York
in Slices' wrote as it is at this writing; it has simply grown, or
overgrown, on the moral and material lines which seem to have been
structural in it from the beginning.
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