Shall we, one day, we who are now in the rich
and full enjoyment of our far-reaching fame, affect the imagination of
posterity as these phantoms of the past affect ours? Shall we, too,
appear in some pale limbo of unimportance as thin and faded as "John
Inman, the getter-up of innumerable things for the annuals and
magazines," or as Dr. Rufus Griswold, supposed for picturesque purposes
to be "stalking about with an immense quarto volume under his arm . . .
an early copy of his forthcoming 'Female Poets of America'"; or as Lewis
Gaylord Clark, the "sunnyfaced, smiling" editor of the Knickerbocker
Magazine, "who don't look as if the Ink-Fiend had ever heard of him,"
as he stands up to dance a polka with "a demure lady who has evidently
spilled the inkstand over her dress"; or as "the stately Mrs. Seba Smith,
bending aristocratically over the centre-table, and talking in a bright,
cold, steady stream, like an antique fountain by moonlight"; or as "the
spiritual and dainty Fanny Osgood, clapping her hands and crowing like a
baby," where she sits "nestled under a shawl of heraldic devices, like a
bird escaped from its cage"; or as Margaret Fuller, "her large, gray eyes
Tamping inspiration, and her thin, quivering lip prophesying like a
Pythoness"?
I hope not; I earnestly hope not. Whatever I said at the outset,
affirming the persistent equality of New York characteristics and
circumstances, I wish to take back at this point; and I wish to warn
malign foreign observers, of the sort who have so often refused to see us
as we see ourselves, that they must not expect to find us now grouped in
the taste of 1849.
Pages:
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127